A prominent figure in the cultural and creative arena of Macau, James Chu continues to surprise us with his skill and direction as an artist, as an innovator, as a leader and as an inspiration to his peers and people around him. Leading a life of many layers, he is a board of director at Art for All and Macau Design Centre while he is also a coordinator of Macau Art Garden. He is an art consultant at the University of Macau and a Chairman of Macau Designer Association. Last but not least, he is the creative director of Shidu Art Consultants. His endeavors are all committed to the pursuit of creativity and his awe-inspiring works are a manifestation of life that’s well-lived. We take a moment of his time to comprehend his inner thoughts about his home and journey.
Art for All (AFA) is marking its 10th year anniversary. Can you tell us more about its journey?
AFA has definitely come a long way and it has been an exhilarating journey. It had its fair share of setbacks and challenges. In the last nine years, we’ve moved four times and it happens to everyone in Macau. Macau Art Garden is now our home and it’s a hub for everyone who appreciates art. The place is open for people to share the space and participate in creative activities like oil painting and art classes. It’s a great space.
What was the artistic climate when you came into being as an artist, and who would you say was instrumental in your thinking and practice at the time?
Back in the 1990’s, you can imagine there are not many things to explore. A lot of my printmaking teachers like James Wong, Paula, Sou Pui Kun were instrumental at the beginning of my experience when I first learned Fine Arts.
What’s in store for AFA? What can we expect? And what kind of project are you currently working on?
AFA is the most active contemporary art association and a great platform for local artists. It successfully brought up more than 20 Macau artists to the market like Eric Fok, Pakeong, Coke Wong, Hung Wei, Jose Drummond and more. AFA has already organized more exhibitions for Macau contemporary artists in Macau and Beijing, and over 20 cities in the world international art fairs. It’s fair to say that we have accomplished so much in the past decade. AFA is committed to continuous growth and we are currently working on seven very exciting exhibitions including my solo showcase in October. The Autumn Salon and VAFA in November should definitely not be missed!
What did you want to do when you were young? Did you envision the path you are in right now? When did you realize you wanted to pursue this path for your life?
I wanted to be an architect. This path may not be what I wished for as it is the most difficult career, especially in Macau. I could have chosen a different path and ventured into Casino but this road is a challenge and it’s my journey.
Who had the most influence on your personal life growing up?
Different people have influenced me during different times but a few that stand out are my father and my teacher Mr. Philip Reavis.
You have received various awards, which one do you fondly remember the most that had a tremendous impact on your creative journey?
I think the logo design of the Macau East Asian Games 2015 was a significant and sentimental one.
You seem to have many layers of your career. Is that important to you? And which one do you relate to the best?
Being creative every day is very difficult, but at the same time, I like different challenges. Design and art and everything related to it is something that I will gladly venture with great enthusiasm.
What’s your daily routine like? What kind of working space do you have?
“I do have a crazy working schedule. I try to work less than seven hours a day but spend most of the time thinking and organizing many things in my mind. My workspace is varied from my office, studio, study room and the golf course which seems to be the best place to think”, he laughs.
What is your prediction of the thriving Macau art scene? How would you describe its growth?
It’s honestly hard to tell, but I believe there will be more buyers especially from the middle class. The artists are growing and evolving in terms of their technique and they are all good aspects of the art industry.
What do you love most about Macau?
It’s my home! I learned badminton and football on the street. I love the old memories of Macau. The great experiences that I will treasure from the old streets and landscapes that are still there and many more.
Are there any particular places that you like to hang out with family or friends maybe?
I love the small coffee shops in the city. There is one in particular called Café Bonbon. I grew up on the same street in that location. I would highly recommend the cakes.
What advice would you give anyone new who wants to venture into the art world in Macau?
Don’t expect too much from others, always ask yourself first. Everything must start from within.
What legacy do you want to leave in the art community?
“Legacy?”, he emphasizes. “I only wish I won’t be the negative equity”.
Explore the depths of art that transcends space and time. Make your way and visit Perpetual Splendour – Work by James Chu at Art for All in Macau Art Garden.
